Tag Archives: New Republic

ICYMI: Holiday News Break Edition

Welcome back from the holiday break! Pardon us while we brush off the cobwebs and shake out the mothballs in our brains…

Our break was full of all kinds of exciting news and tidbits, like this fascinating article from Terri Crocker (The Christmas Truce: Myth, Memory, and the First World War) in the New Republic:

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“Perhaps it is time we stopped expecting history to behave like a good story—featuring obvious heroes and villains, a dash of irony and a clear moral, with a football match thrown in for good measure—and start assuming it looks more like real life: messy, inconclusive and hard to pin down. Since history is, after all, just life that happened in the past, it’s time for us to get over our need for simplicity, and accept that the past, just like the Christmas truce, is always a lot more complicated than we want to believe.”—Terri Crocker for the New Republic

Crocker also published an editorial, “Civility: The True Lesson of World War I’s 1914 Christmas Truce” in the Lexington Herald-Leader and Louisville Courier-Journal.

Over the break we also celebrated Bradley Birzer’s russell_kirk7.inddRussell Kirk: American Conservative, a biography of the great public intellectual, being named one of the Library of Michigan’s Notable Books of 2016. Kirk’s The Conservative Mind shaped conservative thought in the latter half of the twentieth century.

Elsewhere, Russell Kirk was listed as one of the Best Books of the Year by Daniel McCarthy, editor of the American Conservative

The high-flying, tumbling, falling, gutsy heroines in Molly Gregory’s Stuntwomen: The Untold Hollywood Story have been featured in the New York Timesthe New Republic, Variety.com, on NPR’s Weekend Edition, and now in the Washington Post.

“Much like the story of women in almost any industry, this one is a tale of struggle, progress and tempered triumph. . . . In her engaging and enlightening book, Gregory digs into this little-known corner of Hollywood history and gives voice to the women who have risked their lives for a few (perilous) moments on the big screen.”—Becky Krystal, Washington Post

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For the late holiday shoppers, The Baltimore Sun suggested Lincoln’s Final Hours: Conspiracy, Terror, and the Assassination of Our Greatest President, and the Louisville Courier-Journal had a whopping 38 suggestions for local books to give as gifts, including: Kentucky By Design, The Birth of Bourbon The Manhattan Cocktail, and Venerable Trees.

Bawden_Miller_CoverThis morning, on the first day back in the office after break, we were greeted with a lovely surprise from the inimitable columnist Liz Smith, who offers this excellent preview of Conversations with Classic Film Stars: Interviews from Hollywood’s Golden Era, one of our most anticipated books of 2016!

“[A] dazzlingly entertaining new book. . . . [Conversations with Classic Film Stars] is a treasure trove of info, scintillating gossip and outright, downright dishing.”—Liz Smith, New York Social Diary

We hope you had a restful holiday (or a grand adventure!) Holler at us in the comments or on Twitter and let us know how you spent your winter break.

The Radical Courage of Silent Movie Stuntwomen

We’ve been doing backflips this week for “Put The Girl in Danger!,” an excerpt from Mollie Gregory’s new book, Stuntwomen: The Untold Hollywood Story, that was published in the New Republic.

Read the preview below, then click over for the full excerpt.

Put The Girl in Danger!

10310641_10152652334666536_8793256011020349697_n Helen Gibson’s strong, handsome face and dark hair gave her the look of someone who would try anything. In 1915, while in her early twenties, she was doubling for the star of the hit serial The Hazards of Helen. In one stunt she was supposed to leap from the roof of the station to the top of a moving train. Years later, she called it her most dangerous stunt. “The distance between the station and the train was accurately measured,” she said, and she had practiced the jump several times while the train was standing still. But for the shot, the train would be picking up speed for about a quarter of a mile. “I was not nervous as it approached and I leaped without hesitation,” she recalled. She landed safely, but the rocking motion of the train rolled her straight toward the end of the car. Just before being pitched off, “I caught hold of an air vent and hung on.” Then, with a sense of the dramatic, Gibson let her body “dangle over the edge to increase the effect on the screen.” She brought the same strength and flair to scores of other action scenes.