Tag Archives: Gene Kelly

5 Unforgettable Gene Kelly Dance Numbers

Suffering from the rainy day blues? We’ve got you covered!

As told by Cynthia and Sara Brideson in the new biography, He’s Got Rhythm, Gene Kelly was one of the brightest stars in the world of Hollywood dance musicals. From tap dancing on roller-skates, to creating rhythms with a squeaky floorboard, to collaborating with dance legend Fred Astaire, Gene was a creative genius and a master of his craft.

These iconic song and dance numbers are guaranteed to put a “smile on your face” and have you “laughing at the clouds”:


1. “I Like Myself” from It’s Always Fair Weather (1955)

In this unforgettable number, Gene provides one of his most energetic and entertaining performances, and proves that he can hoof it even when wearing roller-skates!

2. “The Babbitt And The Bromide” from Ziegfeld Follies (1946)

Two legends of American dance go head-to-head in this Gershwin brothers number from Ziegfeld Follies. In a classic sketch of friendly one-upmanship, the technical perfection of Fred Astaire meets the easy grace of Gene Kelly. This was the only time Astaire and Kelly appeared together on film in the prime of their careers.

3. “I Got Rhythm” from An American in Paris (1951)

Gene oozes charm in this clip from the Academy Award winning An American in Paris, as he taps and sings a classic jazz tune while teaching French children a few words of English.

4. “Squeaky Floor Routine” from Summer Stock (1950)

In what Kelly himself would later call his favorite solo routine, he creates a dance inspired by the environment in which it takes place. Employing a squeaky floorboard and an old newspaper as the basis for his rhythm, Gene displays his remarkable ability to explore a space through dance.

5. “Singin’ In The Rain” from Singin’ in the Rain (1952)

“From where I stand the sun is shining all over the place.”

In perhaps the most iconic number in any Hollywood musical, Gene taps and splashes his way through a California downpour and right into film history.


UKY06 He's Got Rhythm Selected.inddTo read the stories behind these and many other iconic Gene Kelly films, check out the newly released He’s Got Rhythm: The Life and Career of Gene Kelly. In the first comprehensive biography written since the legendary star’s death, authors Cynthia Brideson and Sara Brideson disclose new details of Kelly’s complex life. Not only do they examine his contributions to the world of entertainment in depth, but they also consider his political activities—including his opposition to the Hollywood blacklist. Drawing on previously untapped articles and interviews with Kelly’s wives, friends, and colleagues, Brideson and Brideson illuminate new and unexpected aspects of the actor’s life and work. He’s Got Rhythm is a balanced and compelling view of one of the screen’s enduring legends.

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New Releases In Film History

In recognition of the 89th Academy Awards, we’re featuring our favorite new releases in the fields of film history. Which ones will you read?


UKY05 Showman of the Screen Selected.inddShowman of the Screen: Joseph E. Levine and His Revolution In Film Promotion

Short, immaculately dressed, and shockingly foul-mouthed, Joseph E. Levine (1905–1987) was larger than life. He rose from poverty in Boston’s West End to become one of postwar Hollywood’s most prolific independent promoters, distributors, and producers. Alternately respected and reviled, this master of movie promotion was responsible for bringing films as varied as Godzilla: King of the Monsters! (1956), Hercules (1958), The Graduate (1967), The Lion in Winter (1968), and A Bridge Too Far (1977) to American audiences.

In Showman of the Screen: Joseph E. Levine and His Revolution In Film Promotion, the first biography of this controversial pioneer, A. T. McKenna traces Levine’s rise as an influential packager of popular culture. Despite his significant accomplishments and prominent role in shaping film distribution and promotion in the post-studio era, Levine is largely overlooked today. McKenna’s in-depth biography corrects misunderstandings and misinformation about this colorful figure, and offers a sober assessment of his contributions to world cinema. It also illuminates Levine’s peculiar talent for movie- and self-promotion, as well as his extraordinary career in the motion picture business.

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Hollywood Divided

On October 22, 1950, the Screen Directors Guild (SDG) gathered for a meeting at the opulent Beverly Hills Hotel. Among the group’s leaders were some of the most powerful men in Hollywood—John Ford, Cecil B. DeMille, Joseph L. Mankiewicz, John Huston, Frank Capra, William Wyler, and Rouben Mamoulian—and the issue on the table was nothing less than a vote to dismiss Mankiewicz as the guild’s president after he opposed an anticommunist loyalty oath that could have expanded the blacklist. The dramatic events of that evening have become mythic, and the legend has overshadowed the more complex realities of this crucial moment in Hollywood history.brianton_cover

In Hollywood Divided, Kevin Brianton explores the myths associated with the famous meeting and the real events that they often obscure. He analyzes the lead-up to that fateful summit, examining the pressure exerted by the House Un-American Activities Committee. Brianton reveals the internal politics of the SDG, its initial hostile response to the HUAC investigations, the conservative reprisal, and the influence of the oath on the guild and the film industry as a whole. Hollywood Divided also assesses the impact of the historical coverage of the meeting on the reputation of the three key players in the drama.

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Stuntwomen: The Untold Hollywood Story

They’ve traded punches in knockdown brawls, crashed biplanes through barns, and raced to the rescue in fast cars. They add suspense and drama to the story, portraying the swimmer stalked by the menacing shark, the heroine dangling twenty feet below a soaring hot air balloon, or the woman leaping nine feet over a wall to escape a dog attack. Only an expert can make such feats of daring look easy, and stuntwomen with the skills to perform—and survive—great moments of action in movies have been hitting their mark in Hollywood since the beginning of film.

Here, Mollie Gregory presents the first history of stuntwomen in the film industry from the silent era to the twenty-first century. For decades, stuntwomen have faced institutional discrimination, unequal pay, and sexual harassment even as they jumped from speeding trains and raced horse-drawn carriages away from burning buildings. Featuring sixty-five interviews, Stuntwomen showcases the absorbing stories and uncommon courage of women who make their living planning and performing action-packed sequences that keep viewers’ hearts racing.

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Harry Langdon: King Of Silent Comedy

Among silent film comedians, three names stand out—Charlie Chaplin, Buster Keaton, and Harold Lloyd—but Harry Langdon indisputably deserves to sit among them as the fourth “king.” In films such as The Strong Man (1926) and Long Pants (1927), Langdon parlayed his pantomime talents, expressive eyes, and childlike innocence into silent-era stardom. This in-depth biography, which features behind-the-scenes accounts and personal recollections compiled by Langdon’s late wife, provides a full and thoughtful picture of this multifaceted entertainer and his meteoric rise and fall.Harry Langdon.final.indd

In Harry Langdon: King Of Silent Comedy, authors Gabriella Oldham and Mabel Langdon explore how the actor developed and honed his comedic skills in amateur shows, medicine shows, and vaudeville. Together they survey his early work on the stage at the turn of the twentieth century as well as his iconic routines and characters. They also evaluate his failures from the early sound period, including his decision to part ways with director Frank Capra. Despite his dwindling popularity following the introduction of talkies, Langdon persevered and continued to perform in theater, radio, and film—literally until his dying day—leaving behind a unique and brilliant body of work.

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UKY06 He's Got Rhythm Selected.inddHe’s Got Rhythm: The Life and Career of Gene Kelly

He sang and danced in the rain, proclaimed New York to be a wonderful town, and convinced a group of Parisian children that they had rhythm. One of the most influential and respected entertainers of Hollywood’s golden age, Gene Kelly revolutionized film musicals with his innovative and timeless choreography. A would-be baseball player and one-time law student, Kelly captured the nation’s imagination in films such as Anchors Aweigh (1945), On the Town (1949), An American in Paris(1951), and Singin’ in the Rain (1952).

In He’s Got Rhythm: The Life and Career of Gene Kellythe first comprehensive biography written since the legendary star’s death, authors Cynthia Brideson and Sara Brideson disclose new details of Kelly’s complex life. Not only do they examine his contributions to the world of entertainment in depth, but they also consider his political activities—including his opposition to the Hollywood blacklist. The authors even confront Kelly’s darker side and explore his notorious competitive streak, his tendency to be a taskmaster on set, and his multiple marriages. Drawing on previously untapped articles and interviews with Kelly’s wives, friends, and colleagues, Brideson and Brideson illuminate new and unexpected aspects of the actor’s life and work. He’s Got Rhythm is a balanced and compelling view of one of the screen’s enduring legends.

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My Life in Focus

When Gianni Bozzacchi accepted an assignment as a photographer on the set of The Comedians (1967), he didn’t know that his life was about to change forever. His ability to capture the beauty of candid moments drew the attention of the film’s star, Elizabeth Taylor, and prompted her to hire him as her personal photographer. Not only did he go on to enjoy a jet-set life as her friend and confidant—preserving unguarded moments between the violet-eyed beauty and Richard Burton as they traveled the world—but Bozzacchi also became an internationally renowned photographer and shot some of the biggest celebrities of the 1960s and 1970s.9780813168746

In My Life in Focus, Bozzacchi traces his journey from humble beginnings to the sphere of the rich and famous. Beautifully illustrated with many of the photographer’s most iconic images, this lively memoir reveals private moments in the Taylor-Burton love story and provides an invaluable behind-the-scenes look at the business of filmmaking and the perils of celebrity.

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Musicals at the Academy Awards

It came as little surprise to moviegoers when it was announced on January 24th, 2017, that La La Land had been nominated for 14 Academy Awards, tying the record for most nominations received by a single film (with Titanic and All About Eve). A critical and commercial success, La La Land is both a film made for modern audiences and a loving throwback to the Golden Age of the Hollywood musical. Time will tell whether La La Land will sweep the Oscars (although predictions skew in that direction), but its role is not without historical precedent.

To date, only ten musicals have won the coveted Academy Award for Best Picture. An American in Paris (1951) was the fourth to achieve this honor. In the following excerpt from He’s Got Rhythm: The Life and Career of Gene Kelly, authors Cynthia and Sara Brideson discuss the 24th Academy Awards, at which American and Kelly were to achieve special recognition:


If Gene believed that Hollywood and America as a whole did not grant him the recognition he deserved, he was soon to be proven wrong. The honor Hollywood lavished upon Gene after he left for Europe confirmed that his artistry was far from overlooked in his native country. Never in the history of film had a musical ever received as many Oscar nominations as Gene’s An American in Paris. The picture received nods in eight categories: Best Picture, Best Director, Best Screenplay, Best Musical Score, Best Art Direction and Set Decoration, Best Color Cinematography, Best Costume Design, and Best Film Editing.

Most significant, Gene was announced as the recipient of the annual Honorary Oscar. The category, created in 1948, acknowledged cinematic achievements not covered by existing Academy Awards. Gene was only the second dancer to receive such recognition (Fred Astaire received one at the 1950 awards ceremony). Though pleased with the award, Gene still voiced regret that he had not been nominated as Best Actor. “The idea that musical [actors] are less worthy of Academy consideration than drama[tic ones] is a form of snobbishness.”

In truth, the honorary Oscar did pay tribute to Gene’s acting ability as well as his dancing talent. On March 20, 1952, the night of the awards ceremony, the president of the Academy, Charles Brackett, stated that Gene had earned his statuette through his “extreme versatility as an actor-singer, director, and dancer . . . and because of his specific and brilliant achievements in the art of choreography on film.” From Europe, Gene requested that Stanley Donen accept the Oscar for him. Vincente Minnelli admitted that Gene’s decision hurt his feelings, particularly because Donen had had no part in the production of An American in Paris.

Gene was not the only one to receive an honorary Oscar that night. Arthur Freed took home the Irving Thalberg Memorial Award, given to a different producer each year. The Freed Unit was sweeping the Oscars; before Best Picture was announced, An American in Paris had already won two honorary awards plus Best Costume Design, Best Color Cinematography, Best Art Direction and Set Decoration, and Best Screenplay (not to be confused with Best Adapted Screenplay, which went to A Place in the Sun). However, in the Best Picture category, An American in Paris faced heady competition. In a year that sported such prestigious titles as A Streetcar Named Desire, The African Queen, and A Place in the Sun, a musical picture with a thin story line seemed the least likely to win the award. Presenter Jesse Lasky could not conceal his surprise when he opened the envelope. “Oh my!” he exclaimed. “The winner for Best Picture is An American in Paris.” The audience was silent except for a few gasps of shock. But slowly, hearty applause erupted, which only became more vigorous when Freed trotted up to the stage, clearly moved. As he cradled the statuette with the honorary one he had already received, he quipped, “It’s a double header!” He continued on a more serious note: “Thank you. And thank you from my brilliant associates who made this possible: Vincente Minnelli, Gene Kelly, and a great studio with real courage and leadership who supported me. Thank you.”


For those interested in learning more about the life of Gene Kelly, the Brideson’s new and comprehensive biography is available for pre-order here. Or visit our Twitter for details on how to win an advance copy of the book.