Tag Archives: fiction

Giveaway Spotlight – FISHING THE JUMPS: A NOVEL

Herrin CoverWe’re giving a book away this week! One lucky reader will win a book of their choice, choosing from seven of our newest titles. From now until Sunday, July 21, we will spotlight one of the books up for grabs on our blog. Answer our questions in the comments or on social media, and you’ll be entered into the drawing! For more details on the giveaway, CLICK HERE

Today’s featured title is award-winning author Lamar Herrin’s latest novel, Fishing the Jumps. In this work, Lamar Herrin explores the kaleidoscopic effect of memory while examining the rise and fall of life in the South. Set during a weekend fishing trip, two middle-aged friends sip Jim Beam and share stories as the past and present meld to reveal that what happens in the past rarely stays there.

We love this book , and we think you will too. So today, we want to share the opening couple pages with you. Enjoy!

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Seven Days of Summer Giveaway Details

July 19 Giveaway BannerWe like books, you like books, and we want to give you a free book just to prove it. This week, one lucky reader will win a book of their choice from the list of seven new titles below.

Sound good so far? Each day, we will spotlight one of the seven books up for grabs and give you an opportunity to enter this random giveaway. Once per day, we will ask our followers a just-for-fun opinion question across all our social media. If you answer our question, you’ll be entered into a random drawing. The winner will choose one book from the seven listed below as their prize! All you have to do is watch our Twitter, Facebook, and/or Instagram accounts each day from July 15 through 5PM on July 21. We will announce the winner across our social networks on Tuesday, July 23.

CLICK HERE for Giveaway FAQs

Now, let’s get to the books.


The Books…Win and Pick One to Take Home!

Ridley Scott: A BiographyRidley Scott Cover

With celebrated works such as Alien, Blade Runner, Thelma & Louise, and Gladiator, Ridley Scott has secured his place in Hollywood. This book presents a unique crosscut between the biographical facts of Ridley Scott’s personal life—his birth and early days in northeast England, his life in New York City—and his career in Hollywood as a director and producer of television commercials, TV series, and feature films. Every film is mined for a greater understanding of the visionary, his personality, his thought process, and a deeper perception of his astounding accomplishments. The voices of cast and crew who worked with Ridley Scott, as well as the words of the man himself, are woven throughout this book for a fully realized, critical biography, revealing the depth of the artist and his achievements.

Johnson CoverBiplanes at War: US Marine Corps Aviation in the Small Wars Era, 1915-1934

Unlike the relative uniformity of conventional warfare, small wars prevent a clear definition of rules and roles for military forces to follow. During the small wars era, the US military had only recently begun battling in the skies but recognized the unique value and flexibility of aviation. This book provides a riveting history of the Marines’ use of biplanes between the world wars in Haiti, the Dominican Republic, China, and Nicaragua and chronicles how the Marines used aircraft to provide supporting fire to ground troops, to evacuate the wounded, to transport cargo, and even to support democratic elections. Biplanes at War sheds light on how the Marines pioneered roles that have become commonplace for air forces today, an accomplishment that has largely gone unrecognized in mainstream histories of aviation.

Fishing the Jumps: A NovelHerrin Cover

The term “fishing the jumps” speaks to a method of catching fish while they’re in the midst of a wild, frenzied state. And just like the undercurrents that exist in the lakes on which this tale is based, some relationships have a way of hiding—and revealing—turmoil just beneath the surface. In his latest novel, award-winning writer Lamar Herrin explores the kaleidoscopic effect of memory while examining the rise and fall of life in the South. Set during a weekend fishing trip, two middle-aged friends sip Jim Beam and share stories as the past and present meld to reveal that what happens in the past rarely stays there.

Olivia de Havilland: Lady Triumphant by Victoria AmadorOlivia de Havlland

Legendary actress and two-time Academy Award winner Olivia de Havilland, best known for her role as Melanie Wilkes in Gone with the Wind (1939), often portrayed characters who were delicate, elegant, and refined. At the same time, she was a survivor with a fierce desire to direct her own destiny on and off the screen. She fought and won a lawsuit against Warner Bros. over a contract dispute that changed the studio contract system forever. From her iconic romance with James Stewart to her unending feud with Joan Fontaine, this work offers unprecedented access to the world behind the Hollywood screen and is a tribute to  one of Hollywood’s greatest legends.

Faulkner CoverDecision in the Atlantic: The Allies and the Longest Campaign of the Second World War

The Battle of the Atlantic was the longest campaign of the Second World War. This volume highlights the scale and complexity of this bitterly contested campaign, one that encompassed far more than just attacks by German U-boats on Allied shipping. The team of leading scholars assembled in this study situates the German assault on seaborne trade within the wider Allied war effort and provides a new understanding of its place within the Second World War. Individual chapters offer original perspectives on a range of neglected or previously overlooked subjects: how Allied grand strategy shaped the war at sea; the choices facing Churchill and other Allied leaders and the tensions over the allocation of scarce resources between theaters; how the battle spread beyond the Atlantic Ocean in both military and economic terms; the management of Britain’s merchant shipping repair yards; the defense of British coastal waters against German surface raiders; the contribution of air power to trade defense; antisubmarine escort training; the role of special intelligence; and the war against the U-boats in the Arctic and Pacific Oceans.

Red River Gorge CoverWilderflowers and Ferns of the Red River Gorge and the Greater Red River Basin

The Gorge, known for its unspoiled scenic beauty and numerous hiking trails, is one of Kentucky’s most popular natural destinations, attracting over 500,000 visitors a year. Accessible to both casual hikers and seasoned naturalists alike, this book is the only comprehensive natural guide to the Red River Gorge, Kentucky’s most popular natural recreational area. Through over 1,000 color images and illustrations, Dan and Judy Dourson share the geology, history, and incredible biodiversity of this unique ecosystem.

 

Landpower CoverLandpower in the Long War: Projecting Force After 9/11

War and landpower’s role in the twenty-first century is not just about military organizations, tactics, operations, and technology; it is also about strategy, policy, and sociopolitical contexts. After fourteen years of war in the Middle East with dubious results, a diminished national reputation, and a continuing drawdown of troops, the role of landpower in US grand strategy will continue to evolve with changing geopolitical situations. This book first examines more traditional issues, such as strategy and civilian-military relations, and works its way to more contemporary topics, such as how socio-cultural considerations affect the landpower force. The interdisciplinary contributors of political scientists, historians, and military practitioners—demonstrate that the conceptualization of landpower must move beyond the limited operational definition offered by Army doctrine in order to encompass social changes, trauma, the rule of law, acquisition of needed equipment, civil-military relationships, and bureaucratic decision-making, and argue that landpower should be a useful concept for warfighters and government agencies.

A Look at the Kentucky Book Fair on November 17

KBF_2018_UPK_ProgramAd.jpgNow in its thirty-seventh year, the Kentucky Book Fair is expanding to become the signature piece of a larger event, the Kentucky Book Festival. Organized by Kentucky Humanities, the Kentucky Book Festival will span from November 12 to 17 and involve six days full of literary events around Lexington, culminating in Kentucky Book Fair on November 17 from 9:00 am to 4:00 pm at Alltech Arena at the Kentucky Horse Park. The fair will feature more than 180 authors, including over twenty-five who have been published by University Press of Kentucky (UPK):

 

 

In addition to authors who will be signing their books on the main arena floor on November 17, the Kentucky Book Fair will host a series of panel discussions and presentations for authors and readers alike on the main stage and in breakout rooms that day. Several panels include UPK authors eager to share their work:

The Kentucky Book Festival will be holding a series of events throughout the week at several different locations around Lexington. The events include readings, cocktail parties, trivia, and more:

  • Monday, November 12, 6:30 to 8:00 pm—The Carnegie Center for Literacy & Learning will host “New Kentucky Poetry & Prose” with readings by Willie Davis, UPK author Jeremy Paden, Robert Gipe, and Maureen Morehead. Free and open to the public; no tickets required.
  • Tuesday, November 13, 12:00 to 2:00 pm—ArtsPlace will host “A Literary Luncheon with Silas House” featuring him reading from his new novel Southernmost. Tickets are required and available for $40 at kyhumanities.org; seating is limited.
  • Friday, November 16—Jonathan S. Cullick, author of Robert Penn Warren’s All the King’s Men: A Reader’s Companion, will teach a KBF Master Class on the basic rhetoric principles of persuasion and how to use them to more than 300 students. This event is for preregistered students and not open to the public.

Dedicated to honoring the profession of writing and to providing a format for authors to meet their reading public, the Kentucky Book Fair attracts thousands of avid readers and patrons nationwide. Featuring a broad range of titles including children’s books, military history, mystery, nature, fiction, and nonfiction, the fair attracts promotes reading across genres and age levels. Founded in 1981, the Kentucky Book Fair is the state’s leading literary event.

A full list of Kentucky Book Festival activities can be found on the Kentucky Humanities website.

A Conversation with Lena Mahmoud, Author of Amreekiya

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Photo courtesy of Lena Mahmoud 

In Amreekiya: A Novel, author Lena Mahmoud deftly juggles two storylines, alternating between Isra’s youth and her current life as a married twentysomething who is torn between cultures and trying to define herself. The chapters chronicle various moments in Isra’s narrative, including the volatile relationship of her parents and the trials and joys of forging a partnership with Yusef. Mahmoud also examines Isra’s first visit to Palestine, the effects of sexism, how language affects identity, and what it means to have a love that overcomes unbearable pain. Featuring an authentic array of characters, Mahmoud’s first novel is a much-needed story in a divided world.

 

Lena Mahmoud was nominated for Pushcart Prizes for her story “Al Walad” and her essay “The Psyche of a Palestinian-American Writer” and was shortlisted for the OWT Fiction Prize. Her work has appeared or is forthcoming in Sinister Guru, KNOT Magazine, Pulp Literature, Fifth Wednesday Journal, and Sukoon.


What first drew you to writing? Was there a specific moment or experience that made you want to become a novelist?Mahmoud_Amreekiya_Design7.indd

As a child I had a very active imaginary life. I often played out stories in my room or
backyard, but I didn’t start writing until I was eleven. I wasn’t much of a reader before that; I didn’t like most of what I read in school because to me it was boring and so homogenous, but when I read Janet Fitch’s White Oleander, about a girl who lives in many foster homes after her mother’s imprisonment—something much different from the cookie cutter chapter books I had been assigned in school—it made me think that knowing someone else’s story can enrich a reader’s life and make them see things differently. I thought that it would be such a great thing if I could do that, and I had always liked thinking up stories and acting them out. When I wrote them, though, I found that I could also make the story better by revising or rewriting it, so I have stuck with it for almost two decades now.

The dual narrative structure is one of the most intriguing facets of Amreekiya. Why did you choose to juxtapose the story of Isra’s childhood alongside her life as a married woman?

Isra’s adult chapters were the first part that I wrote, and I always intended to somehow explain the backstory of her losing her mother and being abandoned by her father. In the early drafts, I wrote out prologues and epilogues to give this backstory, and they just didn’t work for the novel. Then I started to explore Isra’s past more and more. I thought that showing how she and her husband Yusef first met and what it was like growing up with Amu Nasser and Amtu Samia really made the novel more developed. I didn’t want to do it as a completely linear narrative because the past never really goes away; the memories cling to our minds and influence our decisions. By having the two narratives happen concurrently, it more clearly revealed how the past affected the present.

Explain the significance of the title.

While the word “Amreekiya” technically means American in Arabic, it is often used colloquially to mean “white girl” or “white women.” In the novel it’s most often applied to Isra’s mother, but sometimes to Isra as well. I think, ultimately, that it represents a concern that a lot of the characters have: how “American” should they be? It’s most obvious in the case of the younger generation like Isra and Yusef, who wonder about how they would be judged for using birth control, but the older generation also must confront this issue, like Amu Nasser does when he returns to Palestine and is judged for how “American” his children act.

How have your personal experiences inspired or shaped Isra’s story?

I am mixed like Isra is, and a lot of the narratives I saw about people who were part white/part any Middle Eastern ethnicity seemed to always be about that person shedding their ties to whatever Middle Eastern culture s/he belonged to and trying to be as white as possible. I thought that was both unrealistic and dangerous standard to set for people like Isra and me, so I wanted to write a story to show that it’s more complicated and that it’s not necessary to choose between the two cultures, though that is often what others pressure mixed people to do. I didn’t want to write a memoir, though, because I wanted to show what it must be like for someone who does not have any friends or family who understand that sense of in-betweenness. In my case, I have three full siblings who are mixed like me (as well as five siblings from my parents’ previous and subsequent relationships), and I had the advantage of growing up and knowing my parents much better than Isra ever had a chance to know hers. Isra does have close connections to some people like Hanan, Sana, and Yusef, but they see her as being just like them without truly acknowledging that Isra’s ethnic background and experience are somewhat different. Of course, there are people at the other extreme, like Amtu Samia, who see Isra as being completely different, which is even more detrimental.

Amreekiya deals extensively with the intertwined issues of race, class, and gender. Did you set out to confront these topics, or were they a natural outgrowth of the story itself?

Yes, it was my intention to demonstrate how race, class, and gender affect the characters, especially Isra, because I think that too often we think of those as being abstract social or political constructs without considering that they have a strong influence on our everyday lives. Like many writers who come from marginalized communities, I have often heard from various people in the literary community that highlighting these issues make it less universal, but I do not agree with that view. Even if we are unaware of how our place in society or a particular community affects our lives, it still impacts what we become and what sort of lives we lead or will lead, so it much more accurately depicts our lives to see how race, class, and gender play role, rather than making it as invisible as we possibly can. With that being said, I also didn’t want to make Amreekiya a novel that had a heavy-handed political message telling my readers what to think. Instead, I wanted to tell a story that raised questions for my readers to think about.

Isra’s story is left fairly open-ended at the conclusion of the novel. Why did you choose to leave the status of Isra’s marriage and future ambiguous? Do you see yourself ever revisiting her narrative?

At one point I had a tidier ending for Amreekiya, but in all the years of revising and rewriting it, I thought that it didn’t make sense for Isra to have her life figured out by twenty-four. She still has the conflict of trying to figure out which options would be better for her. Should she live on her own? Should she resume her life as it was with Yusef or possibly pursue a different path with him? Of course, there are still all the expectations of the people around her as well, which is a force that will never go away. As for revisiting Isra’s narrative, I don’t have any plans to do it now, but I do sometimes find myself considering what she would be doing now, so I haven’t ruled that out.

Kentucky Novelist, UK Professor Enjoys Sweet Peach of a Summer

“Another sweaty summer presents itself like a gift. Sun is a peach outside the window, grass all calmed down.”

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University Press of Kentucky author Crystal Wilkinson has had a summer of gold. From her novel, The Birds of Opulencebeing named the winner of the 2016 Appalachian Writers Association‘s Appalachian Book of the Year for Fiction to Wilkinson herself being appointed as the 2018 Clinton and Mary Opal Moore Appalachian Writer-in-Residence at Murray State University, Wilkinson has spent the hot summer months earning both professional and personal honors.

Birds follows four generations of women in a bucolic southern black township as they live with—and sometimes surrender to—madness. The book hones in on the hopeful and sometimes tragic navigation of life as seen through the eyes of the Goode-Brown family. This marks the fourth award The Birds of Opulence has won, including the Ernest J. Gaines Award for Literary Excellence, the Weatherford Award for Fiction, and the Judy Gaines Young Book Award. Wilkinson’s novel was also named the debut selection of the Open Canon Book Club, which was created by New York Times bestselling author Wiley Cash to introduce readers to varied voices and portrayals of the American experience.

Birds is not the only one of Wilkinson’s books that has gotten attention this summer. Her second short story collection, Water Street, has been selected as the One Book Read at West Kentucky Community and Technical College. The program is a community-wide effort to help eliminate illiteracy in the region, with faculty and staff at WKCTC collaborating with many local and college partners to promote reading.

WATER STREET

Wilkinson’s work has earned her personal honors as well. The Appalachian Heritage Writer-in-Residence Committee and the West Virginia Center for the Book selected her for the Appalachian Heritage Writer’s Award. Previous recipients include Henry Louis Gates, Charles Frazier, Frank X Walker, Denise Giardina, and Silas House. In conjunction with the award, she will be the One Book, One West Virginia Author for 2019, and Water Street will be read by students across the state.

In addition, Wilkinson has gained speaker representation from Authors Unbound, which will broker her events in the form of literary engagements, one book programs, distinguished lectures, keynote appearances, community visits, and a variety of signature events.

Pictured at the top is Wilkinson sitting on a book bench designed by Bowling Green artist Lora Gill. Book Benches: A Tribute to Kentucky Authors is a public art project that features book-shaped benches, each themed around a different work by a Kentucky author, that have been placed around Lexington as a way to encourage reading. Wilkinson’s bench will be installed along South Limestone Street in front of the University Press of Kentucky office in November.

To top it off, Wilkinson accepted a new position as Associate Professor of English in the Master of Fine Arts in Creative Writing Program at the University of Kentucky. Further information on Crystal Wilkinson, her books, and her upcoming events can be found on her new author website: https://www.crystalewilkinson.net/.

From all of us at Kentucky Press, congratulations on a wonderful summer, Crystal!

Galley Giveaway: Let’s Get Fictional #1

UKY01 Birds of Opulence Selected.inddAs our fans and followers may have noticed, we have some exciting works of fiction due out this Spring. We’ve had the pleasure of working on them for months now, waiting for this moment—the time when we finally get to share them with you!

From now through 5:00 pm Eastern on Wednesday, January 13, enter for a chance to win one of five available advance reader copies of The Birds of Opulence by Crystal Wilkinson. Fill out the form below to enter our contest and read this compelling tour de force before it’s published next month.

Also, click “read more” below to enjoy the first chapter of the work that Pulitzer Prize finalist Maurice Manning has called “lyrical and visionary, unconventional, and infused with beauty.”

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Congratulations Writing Contest Winners

The Winners of our First Micro-Fiction Contest

First of all, a huge THANK YOU to everyone who submitted an entry to UPK’s very first, Micro-Fiction contest! We had a great time reading through the entries, and it was incredibly difficult to select the grand-prize winner and runners up. But select we did!

Our entrants were asked to write an ekphrastic micro-fiction (300 words, or less!) piece of prose or poetry in response to one of two images:

3 Runners-Up will win 1 Kentucky fiction or poetry book of their choice published by the University Press of Kentucky, and 1 Grand Prize Winner will win a prize pack of 3 Kentucky fiction or poetry books published by the University Press of Kentucky.

View our fiction titles here. Find poetry titles here.

And now, we present to you, the

Grand Prize Winner

Congratulations Patricia Holland of Paris, Kentucky, for her prose piece: “Threads!”

And, congratulations to our three runners-up:

Liz K. (“Thread Baring”)
Sarah H. (“Sewing Not”)
& Rich G. (“And Still You Sew On”)

Threads

My great-grandmother Nanny believed she could foretell the future by studying the clipped threads and bits of fabric that caught on the hem of her skirt whenever she made a new dress.

She taught me to sew and as I pedaled away on her treadle machine, she also taught me to respect her strange, Irish superstitions. To her, those stray threads found on my clothing had landed there to help her analysis my future. Different colored threads meant different things. Black did not mean death. Blank was the color of my true love’s hair. Threads in red, yellow, green or pink were fine unless they were from my wedding dress. My Nanny sang, “Married in red, you’ll wish you were dead/ Married in yellow, you’re ashamed of your fellow/Married in green, you’ll be ashamed to be seen/Married in pink, your spirit will sink/ But when you marry in white, you’ll find the love of your life.”

For a time after she taught me how to sew, I believed that stray threads really could show me a glimpse of my future. Do I still believe that those bits of colored thread have a mystical meaning and power? No, I don’t; but I still remember and treasure Nanny’s long-ago lessons. So as I sew up my white wedding gown and think about the pattern my life will take, I’ve taken a mare’s nest of tangled threads from the bottom drawer of Nanny’s sewing machine and made a small silk drawstring bag to hold them.

I do believe in traditions so I’ll make sure that on my wedding day I’ll have something old, something new, something borrowed and something blue. Nanny’s tangled threads are old, my dress is something new. My Irish lace veil will be borrowed and my garter will be blue.

Read the entries from our runners-up after the jump

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