Tag Archives: Clarence Brown

Meet the Press: Kayla Coco, Marketing Intern

Name: Kayla Coco-Stotts

Position: Marketing Intern

Hometown: St. Louis, Missouri

Alma mater; major; minor: University of Kentucky; B.A. in Print Journalism; Communication minor (December 2018)


Why should students be interested in their local university press?

I believe that students should be interested in their local university press because there is so much culture and accomplishment within university presses that I think is somewhat overlooked. I heard about UPK my freshman year of college and knew I always wanted to intern here, but so many others haven’t had the chance to learn about the amazing work UPK does for the Commonwealth. Students especially are able to learn so much from UPK; it’s like having a library of amazing authors, reads, and resources right on campus.

Why should students support their university press? How are some ways to support the press?

Students should support their university presses because they’re in need of our support! Even just sharing social media, buying UPK books, or going to events that feature UPK authors stimulates the marketplace of ideas and keeps the local book culture thriving within the universities.

What have you learned during your time here, and how will you use the skills you gained as you start a career, further your education, etc.?

I’ve learned how to craft a press kit and the true meaning of marketing. I never thought I would see myself enjoying the marketing side of publishing, but it is truly rewarding to excited people about the projects we’re working on. I’ve already been thankful enough to use the skills I’ve obtained here to set up a job when I graduate.

What’s one of your favorite UPK titles and why?

Mend: Poems by Kwoya Fagin Maples was amazing, heartfelt, and conveyed a level of anguish that I could never imagine being strong enough to experience. I also really loved Clarence Brown: Hollywood’s Forgotten Master by Gwenda Young because it gave me an opportunity to learn about an age of Hollywood that I’ve just not taken the time to understand before.

If someone was visiting Kentucky for the first time and you were their tour guide, where would you take them?

Actually, I’m from St. Louis originally so I’ve kind of become an unofficial tour guide for Lexington (I’m still waiting for my name tag to come in…I’m sure they’re sending it any day now). I always take people on a long walk around UK’s campus because I think it’s gorgeous, as well as downtown to some of my favorite restaurants and bars, like West Main Crafting Co. and Buddha Lounge. Breakfast? Josie’s for sure. Needing some lunch? Let’s head to Planet Thai! Can you tell I love food?

Did you always know you wanted to intern in publishing? When you were a kid, did you want to do something different as an adult?

Growing up I was very driven and academically successful, and I always heard, “You’re going to be a doctor someday,” from relatives. When I started at UK, I began in biosystems engineering, but doing something I could do versus something I wanted to do was entirely different. After a quick Google search and some encouragement from friends, I switched to journalism and decided to intern at UPK during my first semester. I have always loved books, and being a book editor is what I used to tell people I would do, “when I grow up.”

What was the last book you read?

The Hate U Give by Angie Thomas and The Rules of Magic: A Novel by Alice Hoffman. Both are amazing books!

Name three things you can’t live without.

My dogs, sweatshirts, and dry shampoo

If someone asked you to give them a random piece of advice, what would you say? Do you have a personal motto?

Just do what you love. People always are going to say, “life’s too short,” but life can get pretty long and dull when you’re stuck doing something you don’t really enjoy, whether that be in a professional or personal environment. Oh, and while you’re still in high school, get a credit card, only use it to buy gas, and always make payments on time.

What’s your favorite word?

Sonder: the realization that each random passerby is living a life as complex and vivid as your own.

What’s something most people don’t know about you? What’s a random factoid about yourself?

I try to be as conscious as I can about living a minimal waste lifestyle by avoiding plastic containers or cups and avoiding using more than I need.

If you could have dinner with any three people—dead or alive, famous or not—who would it be?

Abraham Lincoln, Stephen King, and Malcolm X.

If you could try out any job for a day, what would you like to try?

Andy Lassner, the executive producer of The Ellen DeGeneres Show, because I love a good scare and I think Ellen and I would be great pals.

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Clarence Brown’s Legacy in Films

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Brown and Jarman Jr. on the set of The Yearling,Courtesy of Claude Jarman Jr.

Though he crafted films that garnered thirty-eight Academy Award nominations, Brown is not as well remembered as many of his contemporaries. Historian Gwenda Young hopes to change that with the publication of Clarence Brown: Hollywood’s Forgotten Master, the first full-length biography of the seminal director. She recounts his upbringing as the son of hardworking Irish immigrants, as well as his work with stars such as Lionel Barrymore, Joan Crawford, Clark Gable, and Mary Pickford, which created his reputation for introducing new discoveries as well as revitalizing fading careers. Throughout his long tenure behind the camera, Brown defied expectations to create a lasting body of work that spanned Hollywood’s silent and golden eras.

Over the course of a five decade–long career, Brown directed numerous films that have stood the test of time—The Last of the Mohicans (1920), Anna Christie (1930), Anna Karenina (1935), The Human Comedy (1943), National Velvet (1944), The Yearling (1946), and Intruder in the Dust (1949), among others. Here, we have given you a look into a selection of Brown’s “starmaker” credits, of which have been remembered for defining Hollywood for decades.


The Great Redeemer, Maurice Tourneur Productions, 1920

The Last of the Mohicans, Maurice Tourneur Productions, 1920

The Foolish Matrons, Maurice Tourneur Productions, 1921

The Light In the Dark (short), Vitagraph Company of America, 1922

Don’t Marry for Money, Weber & North Productions, 1923

The Acquittal, Universal Pictures,1923

The Signal Tower, Universal Pictures, 1924

Butterfly, Universal Pictures, 1924

Anna Christie

Anna Christie, MGM, 1930

Smouldering Fires, Universal Pictures, 1925

The Goose Woman, Universal Pictures, 1925

The Eagle, Art Finance Corporation, 1925

Kiki, Norma Talmadge Film Corporation, 1926

Flesh and the Devil, Metro-Goldwyn-Mayer (MGM), 1926

The Trail of ’98, MGM, 1928

The Cossacks (uncredited), MGM, 1928

A Woman of Affairs, MGM, 1928

Wonder of Women, MGM, 1929

Navy Blues, MGM, 1929

Romance (uncredited), MGM, 1930

Inspiration, MGM, 1931

A Free Soul, MGM, 1931

Possessed (uncredited), MGM, 1931

 

 


National Velvet

National Velvet, MGM, 1944

 

Emma, MGM, 1932

Letty Lynton, MGM, 1932

The Son-Daughter, MGM, 1932

Looking Forward, MGM, 1933

Night Flight, MGM, 1933

Chained, MGM, 1934

Anna Karenina, MGM, 1935

Ah Wilderness!, MGM, 1935

Wife vs. Secretary, MGM, 1936

The Gorgeous Hussy, MGM, 1936

Conquest, MGM, 1937

Of Human Hearts, MGM, 1938

Idiot’s Delight, MGM, 1939

The Rains Came, Twentieth Century Fox, 1939

Edison, the Man, MGM, 1940

Come Live with Me, MGM, 1941

The Met in Bombay, MGM, 1941

Sadie McKee

Sadie McKee, MGM, 1934

The Human Comedy, MGM, 1943

The White Cliffs of Dover,MGM, 1944

The Yearling, MGM, 1946

Song of Love, MGM, 1947

To Please a Lady, MGM, 1950

The Schumann Story (short), MGM, 1950

It’s a Big Country: An American Anthology, MGM, 1951

When in Rome, MGM, 1952