Tag Archives: Appalachian studies

UPK Partners with Hindman to Launch Fireside Industries

As we at the University Press of Kentucky continue to commemorate 75 years of serving the commonwealth and celebrating Kentucky writers, we are thrilled to announce the formation of a novel venture.  We have partnered with the Hindman Settlement School to launch an imprint, Fireside Industries. Its purpose is to provide stability to the Appalachian literary tradition by publishing new works and reissues of classics that greatly contribute to the region.

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First edition print of  The Quare Women

As the publisher of a number of groundbreaking works about—and for—Appalachia, one of our goals is to place Appalachian dynamics in the context of global change and to show why place-based and regional studies still matter. Our series Place Matters: New Directions in Appalachian Studies explores the history, social life, and cultures of Appalachia from multidisciplinary, comparative, and international perspectives. Our topics of interest range from diversity and social inequalities to geography and political economy—from efforts to confront regional stereotypes to literature, the arts, and the ongoing social construction and re-imagination of Appalachia. We are pleased to join with Hindman Settlement School to encourage, support, and nurture the diverse and rich voices of Appalachia.

The first two titles of Fireside Industries will be a reissue of Lucy Furman’s The Quare Women and a release of Tanya Amyx Berry’s first book, For the Hog Killing, 1979. Look for these titles next year. Click here to read more about this exciting new partnership.

 

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Gems of the Backlist: ‘The Appalachian Photographs of Earl Palmer’

Here at the University Press of Kentucky, we recently completed an initiative to digitize all of the books that we’ve published since our founding in 1943. It was a lot of work going through more than 1300 books, but it’s been a process full of fun surprises and astounding discoveries. Best of all, every now and then, there was a book that we just couldn’t put down—a book so good we just can’t resist sharing it with you again:

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“Palmer has given us the best view we will ever have of life and work in the Southern Appalachians. . . . His magnificent collection of photographs preserves the old way of life for us to study and ponder.”—Harry Caudill, author of Night Comes to the Cumberlands

For more than fifty years, mountain-born Earl Palmer traveled the Southern Appalachians with his camera, recording his personal vision of the mountain people and their heritage. Over these year he created, in several thousand photographs, a distinctive body of work that affirms a traditional image of Appalachia—a region of great natural beauty inhabited by a self-sufficient people whose lives are notable for simplicity and harmony.

 The Appalachian Photographs of Earl Palmer collects more than 120 representative photographs from the photographer’s collection. Jean Haskell Speer, who was emerita director of the Appalachian Studies Program at Virginia Tech, conducted extensive interviews with Palmer to write a biographical and critical commentary. Palmer’s photographs, Speer argues, are significant cultural statements that depict not so much a geographical region as a particular idea of Appalachia.

from the preface by Jean Haskell Speer:

“Earl has spent a lifetime, as he puts it, “conjuring” Appalachia, creating a rich and complex Appalachian vision in pictures. He believes the highest and best vision of Appalachia is rooted in its past, made manifest in its traditional culture and in those persons who remain emblems of the past in the present. In fact, Earl’s photographs may be said to constitute a kind of mountain manifesto, a public declaration of his intention to create a particular Appalachian world.

Earl has photographed Appalachia according to his world view. He has seen the mountaineer as both historically real and eternally mythic. He has made a photographic record of what has been real, if now only remembered, and he has created a vision of Appalachia’s past as he wishes it to be remembered. Earl has understood the power of the photographic image to preserve and to persuade, especially to build a rhetorically powerful argument through repeated and consistent images.

The photographs chosen for this volume from Earl’s collection of twenty to thirty thousand negatives represent the mainstream of his work. They include some of his most critically acclaimed and popular photographs, some historically and culturally valuable photographs, and photographs that illustrate Earl’s concept of “Appalachianness.” The photographs were made over a period of more than fifty years from 1936 to 1988. Geographically, they represent the heartland of Southern Appalachia, covering portions of Kentucky, West Virginia, Virginia, Tennessee, and North Carolina. . . .

For most of his photographs Earl writes extensive captions that are intended to be evocative more often than informational. They are narratives that mix historical fact with Earl’s imagination in short vignettes about mountain life.”

We’ve selected a few photos to share here, but many more await in The Appalachian Photographs of Earl Palmer.

click the images to view full-size.

Celebrating Appalachia and Helen Matthews Lewis

Home to approximately 25 million people, Appalachia is nestled in hills and steeped in tradition. It ranges from the southern tip of New York State down to the northern parts of Mississippi, Alabama, and Georgia. It is a region of abundant natural beauty and natural resources, of folk songs and farmland, of dialects and powerful voices that hold powerful opinions.

However, some Americans don’t see Appalachia in such a light. Their view is clouded by jokes and stereotypes of the ignorant, racist “hillbilly” who doesn’t speak properly, of the “trailer trash” who always drinks moonshine and never wears shoes. Although the region struggles with certain problems such as poverty, its people and culture are not stereotypes to ridicule. They are diverse, intelligent, and ever-hopeful.

Helen Matthews LewisThis is what Helen Matthews Lewis, known as the “Mother of Appalachian Studies,” has helped others to see throughout her lifetime and career. A Georgia native, Helen has worked with miners in the coalfields of southwest Virginia and has worked with the communities of Jellico, Tennessee; McDowell County, West Virginia; and Ivanhoe, Virginia. She helped give birth to Appalachian Studies and has taught and lectured at many of the leading educational institutions in the Appalachian region. Among her other contributions, she has mentored seminarians working in the mountains; been involved in adult and community educational programs throughout the region and abroad; served as President of the Appalachian Studies Association; and held major leadership roles at the Highlander Research and Education Center and Appalshop.

Helen’s story counters negative images and stereotypes, as she has confronted rural poverty, racial prejudice, economic injustice, and traditional gender roles. Her ability to empathize, her moral courage, and her intellectual honesty have made her well-equipped for the fight for social and economic justice in Appalachia. Her life story demonstrates that, with perseverance and passion, change can occur. Communities can be impacted. Lives can be bettered—for generations to come.Helen Matthews Lewis 2

If you want to learn more about Helen Matthews Lewis’s work and Appalachia, pick up a paperback copy of Helen Matthews Lewis: Living Social Justice in Appalachia (University Press of Kentucky, 2012).